Zunilda, Clemente, and Mateo
My crew from yesterday showed up too and
everybody worked quite independently already. Eurides and Osvaldo each printed
a small edition of 5 of their plates, which turned out great.
Part of Osvaldo's edition
Joaquín pulled several proofs and in the end carved away too much of the image, so the image wasn't really visible anymore. He decided to start a new one now that he knows how things work. Joaquín brought his wife Mistra along who also tried a small woodcut. Felipe brought an old photograph of his father, who was a great chief who used to tell all the Nivaclé legends very vividly (Eurides is the grandson of the chief and lots of his drawings are about the legends). Felipe started a portrait of his fathe, faces are hard to do as woodcuts, but he decided he wants to try it anyways.
Felipe working on his chief portrait
The past two workdays have been quite long,
but there are always the Tereré (Yerba Mate) breaks in the morning and
afternoon as well as a shared lunch.
Mistra was in charge of cooking guiso
(stew) today for lunch. I helped chop some veggies and manage the supplies a
bit. Due to cultural ignorance, I served the food; nobody complained, but
Verena told me later that among the Nivaclé it is always the cook who serves
the food. I hope I didn't offend Mistra.
Our endurance didn't last quite as long as yesterday and we ended the evening at 6pm with a small slideshow I had prepared to talk about woodcuts by other artists from Paraguay and other places. I also showed some Inuit stonecuts which were received with great interest and admiration. And I showed a few things from Highpoint (Aaron Spangler's giant woodcuts) and some of my own work.
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